Avant-Garde Theatre Sound: Staging Sonic Modernity by A. Curtin

By A. Curtin

Sound experimentation via avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is a vital yet neglected element of theatre heritage. Curtin explores how artists engaged with the sonic stipulations of modernity via dramatic shape, characterization, staging, know-how, functionality type, and other kinds of interplay.                   

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